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ETT - 069 - PUBLIC INTEREST - BETWEEN 12"

by PUBLIC INTEREST

/
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  • Record/Vinyl + Digital Album

    This is utterly brilliant, amazing stuff - my ears are blessed. Nihilistic post punk jams with a generous serve of primitive electronics. The music is beyond this universe, the message is perfect for our times.

    The post and synth punk on the first public interest recording, hailing from Oakland is quite variable, e.g. Sometimes hanging out the cold synthwave sounds like another electrified variant of DIÄT and USELESS EATERS in a spacy abgroovemode. Or how would it sound like AUSMUTEANTS and PUFF if both bands took something seriously?

    To put it simply, what we’ve got here is something like an under-caffeinated Television Personalities, or a darker Wire who stumbled upon synth. Great synthpop songs delivered with just the right amount of damage. But just really vicious at times, too. I mean, these teeth are gleaming.

    Rolling down a hill in a garbage can. Each song is belted out with a short, sharp fit, with some synthesisers occasionally glistening out at the edges. The restraint is all the more fierce as it amplifies everything that's fucked about them.

    This is pure and damn good, futuristic Post-Punk. Warm synthesizer sounds meet minimal instrumentation that already reminds of a purified version of TOTAL CONTROL. Behind the mask and the project hides Chris from MARBLED EYE, which the sound alone suggests, with such a sensitivity for super-mature songwriting that would have been even ahead in the '80s, and especially now. Great!

    Includes unlimited streaming of ETT - 069 - PUBLIC INTEREST - BETWEEN 12" via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    ships out within 4 days
    Purchasable with gift card

      €13.50 EUR or more 

     

  • Full Digital Discography

    Purchasable with gift card

      €64.73 EUR or more (85% OFF)

     

1.
2.
Epoxy 02:59
3.
Not the Same 03:52
4.
5.
6.
Design Flaw 02:46

about

This is utterly brilliant, amazing stuff - my ears are blessed. Nihilistic post punk jams with a generous serve of primitive electronics. The music is beyond this universe, the message is perfect for our times.

The post and synth punk on the first public interest recording, hailing from Oakland is quite variable, e.g. Sometimes hanging out the cold synthwave sounds like another electrified variant of DIÄT and USELESS EATERS in a spacy abgroovemode. Or how would it sound like AUSMUTEANTS and PUFF if both bands took something seriously?

To put it simply, what we’ve got here is something like an under-caffeinated Television Personalities, or a darker Wire who stumbled upon synth. Great synthpop songs delivered with just the right amount of damage. But just really vicious at times, too. I mean, these teeth are gleaming.

Rolling down a hill in a garbage can. Each song is belted out with a short, sharp fit, with some synthesisers occasionally glistening out at the edges. The restraint is all the more fierce as it amplifies everything that's fucked about them.

This is pure and damn good, futuristic Post-Punk. Warm synthesizer sounds meet minimal instrumentation that already reminds of a purified version of TOTAL CONTROL. Behind the mask and the project hides Chris from MARBLED EYE, which the sound alone suggests, with such a sensitivity for super-mature songwriting that would have been even ahead in the '80s, and especially now. Great!

credits

released June 4, 2019

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Erste Theke Tontraeger Mannheim, Germany

ETT is a independent underground music label dedicated to bringing you vinyl releases of your favorite punk, hardcore, powerpop and rock’n'roll bands.

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